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Among the many dialogues established between architectural movements and philosophical theories, the one that combines spatial deconstructivism and Derridean deconstruction is extremely original. Going beyond the stage of simple interpretation in which architects borrow their concepts from philosophers, it has, in fact, taken the form of a true collaboration that has not left Derrida’s thinking unscathed: faced with the Parc de la Villette, the philosopher was led to modify his perspective on deconstruction, both in its content and in its disciplinary boundaries.