Film. Ontology of the images and iconology beyond the human
Durafour, Jean-Michel
Film. Ontology of the images and iconology beyond the human - 2018.
88
This paper presents the ontological side of an iconological and aesthetic approach I call econology. This approach, while it is not only cinematographic, is expressly filmic in that it comes from films and from within the mode of thought that cinema ultimately incarnates. Moving away from the genetic step that leads to it, I have chosen, in these pages, to clarify its links with the new philosophy of objects.
Film. Ontology of the images and iconology beyond the human - 2018.
88
This paper presents the ontological side of an iconological and aesthetic approach I call econology. This approach, while it is not only cinematographic, is expressly filmic in that it comes from films and from within the mode of thought that cinema ultimately incarnates. Moving away from the genetic step that leads to it, I have chosen, in these pages, to clarify its links with the new philosophy of objects.
Réseaux sociaux