The Trial
Adrien, Philippe
The Trial - 2008.
52
Based on the preparations for the construction and development of the plot of The Trial, this paper looks at the overlap between personal analysis and theatrical representation via a metaphorical approach, linking closely the course of the plot and the approach of the analysand, from the “pre-analytical” “procedures” (wandering, fantasies, symptom...) to the desire of the analyst, here the figure of Herr Huld. If the fictional position of K. on the theatrical scene is a metaphor of the subject grappling with analysis, then we can put into perspective the issue of the entry into analysis and the end of The Trial as an inevitable destiny.
The Trial - 2008.
52
Based on the preparations for the construction and development of the plot of The Trial, this paper looks at the overlap between personal analysis and theatrical representation via a metaphorical approach, linking closely the course of the plot and the approach of the analysand, from the “pre-analytical” “procedures” (wandering, fantasies, symptom...) to the desire of the analyst, here the figure of Herr Huld. If the fictional position of K. on the theatrical scene is a metaphor of the subject grappling with analysis, then we can put into perspective the issue of the entry into analysis and the end of The Trial as an inevitable destiny.
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