Sur le seuil de la foi
Jossua, Jean-Pierre
Sur le seuil de la foi - 2009.
3
RésuméLa correspondance d’André Suarès atteste une attirance à l’égard de Jésus et du christianisme, au sein d’une attitude religieuse convaincue qui ne semble pas être devenue une foi. Après quelques indications biographiques, on analyse plusieurs correspondances en étant attentif à l’ambiguïté des mots. Ch. Péguy, A. Gide, R. Rolland, P. Claudel, F. Jammes, A. Bourdelle, J. Doucet, J. Paulhan, G. Rouault. Les convertisseurs le rebutent, l’humble Rouault le touche, qu’il encourage dans son art et sa foi. L’écrit ultime, Le Paraclet, confirme ces analyses. The correspondence of André Suarès is testimony to his attraction towards Jesus and Christianity, which took the form of a religious conviction that does not seem to have become a faith. After some biographical remarks, several series of correspondence are analysed, paying attention to the ambiguity of words. C. Péguy, A. Gide, R. Rolland, P. Claudel, F. Jammes, A. Bourdelle, J. Doucet, J. Paulhan, G. Rouault. Suarès is put off by those who would convert him, but touched by the humble Rouault whom he encourages in his art and his faith. His final piece of writing, The Paraclete, confirms this analysis.
Sur le seuil de la foi - 2009.
3
RésuméLa correspondance d’André Suarès atteste une attirance à l’égard de Jésus et du christianisme, au sein d’une attitude religieuse convaincue qui ne semble pas être devenue une foi. Après quelques indications biographiques, on analyse plusieurs correspondances en étant attentif à l’ambiguïté des mots. Ch. Péguy, A. Gide, R. Rolland, P. Claudel, F. Jammes, A. Bourdelle, J. Doucet, J. Paulhan, G. Rouault. Les convertisseurs le rebutent, l’humble Rouault le touche, qu’il encourage dans son art et sa foi. L’écrit ultime, Le Paraclet, confirme ces analyses. The correspondence of André Suarès is testimony to his attraction towards Jesus and Christianity, which took the form of a religious conviction that does not seem to have become a faith. After some biographical remarks, several series of correspondence are analysed, paying attention to the ambiguity of words. C. Péguy, A. Gide, R. Rolland, P. Claudel, F. Jammes, A. Bourdelle, J. Doucet, J. Paulhan, G. Rouault. Suarès is put off by those who would convert him, but touched by the humble Rouault whom he encourages in his art and his faith. His final piece of writing, The Paraclete, confirms this analysis.
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