Topor : bête et méchant ? Roland Topor et la bande Hara-Kiri (notice n° 1002173)
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| fixed length control field | 02999cam a2200433 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125134312.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Mazurier, Stéphane |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Topor : bête et méchant ? Roland Topor et la bande Hara-Kiri |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2017.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 85 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Si Roland Topor n’a collaboré à Hara-Kiri que cinq ans, entre 1961 et 1966, c’est pour ce journal qu’il a produit le plus de dessins. Il y a forgé son style et a commencé à y gagner une certaine notoriété. Soucieux de tracer sa propre trajectoire et refusant de limiter son œuvre au dessin de presse, il quitte Hara-Kiri, mais continue à fréquenter les mêmes réseaux culturels que plusieurs dessinateurs du mensuel, notamment Wolinski et Willem. Il retrouve ainsi cette « bande Hara-Kiri » dans le champ de l’édition (chez Pauvert ou Losfeld), de la presse ( L’Enragé, Le Fou parle, Charlie mensuel), et même de la télévision ( Merci Bernard, Palace). Figure singulière d’ Hara-Kiri, Topor en est à la fois l’une des plus brillantes et un acteur marginal, périphérique – le seul peut-être qui n’ait pas accepté la tutelle de Cavanna. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Roland Topor and the Hara-Kiri GangThough Roland Topor worked with Hara-Kiri for only five years, between 1961 and 1966, it was for this newspaper that he produced the most drawings. It was there that he forged his style and began to gain a certain notoriety. Anxious to chart his own course and refusing to limit his work to the press illustration, he left Hara-Kiri but continued to frequent the same cultural networks as several of the monthly magazine’s cartoonists, notably Wolinski and Willem. He found himself reunited with the “ Hara-Kiri gang” in publishing (at Pauvert or Losfeld), the press ( L’Enragé, Le Fou parle, Charlie mensuel) and even television ( Merci Bernard, Palace). A singular figure on the Hara-Kiri scene, Topor was both one of the most brilliant among them and a peripheral, marginal presence—the only one, perhaps, who refused to be taken under Cavanna’s wing. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | presse satirique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dessin de presse |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Charlie Hebdo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Siné |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Willem |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Professeur Choron |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | François Cavanna |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Georges Wolinski |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Panique (mouvement) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hara-Kiri |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Jean-Michel Ribes |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Professor Choron |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Charlie Hebdo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Siné |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Panic (Movement) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Willem |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Satirical Press |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | François Cavanna |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Georges Wolinski |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hara-Kiri |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Press Illustration |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Jean-Michel Ribes |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés & Représentations | 44 | 2 | 2017-11-07 | p. 23-29 | 1262-2966 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-et-representations-2017-2-page-23?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-et-representations-2017-2-page-23?lang=fr&redirect-ssocas=7080</a> |
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