S’engager en musique : chansons et mobilisations collectives durant la Révolution française (notice n° 1002660)
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|---|---|
| fixed length control field | 02179cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125134431.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kaci, Maxime |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | S’engager en musique : chansons et mobilisations collectives durant la Révolution française |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 67 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Les plus de 3 000 chansons composées entre 1789 et 1799 intègrent un paysage sonore de la contestation qui donne sens et efficacité aux mobilisations collectives. Les cas significatifs de la pratique du chant analysés ici, à partir de Paris et des territoires du nord-est de la France, soulignent combien chanter en public contribue à façonner un ensemble de représentations et encourage les identifications à un « parti » ou à une cause. Enfin, les mises en scène et en sons témoignent de la capacité d’engagement de citoyens qui s’appuient sur des pratiques sonores ancrées depuis longtemps dans leur vie quotidienne pour faire valoir leurs droits. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Getting involved in Music: Songs and Collective Mobilization during the French RevolutionOver 3.000 songs were composed from 1789 to 1799. They are part of a sound landscape which gives meaning and efficiency to collective mobilizations. The significant cases of singing from Paris and northeastern France which are analyzed in the present article underline how public interpretations of songs contribute to the shaping of collective perceptions and foster identifications with a “party” or a cause. At last, the staging and the performance reveal the citizens’ ability to commit based on musical practices which have been rooted in their traditional everyday life, in order to assert their rights. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | engagement |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | identification |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Révolution française |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | chanson |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | song |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | French Revolution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | commitment |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | identification |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés & Représentations | 49 | 1 | 2020-06-02 | p. 61-77 | 1262-2966 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-et-representations-2020-1-page-61?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-et-representations-2020-1-page-61?lang=fr&redirect-ssocas=7080</a> |
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