De l’écoute des phonogrammes à l’histoire de leur écoute (notice n° 1002661)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02267cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125134431.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Mervant-Roux, |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De l’écoute des phonogrammes à l’histoire de leur écoute |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 68 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Fondé sur une décennie de travaux en études théâtrales, cet article est dédié à l’usage des documents sonores par la recherche. Prolongeant un premier article qui concluait à la nécessité d’un protocole spécifique pour leur audition il montre, à partir de l’exemple du disque de théâtre, qu’à la tentation d’écouter les phonogrammes comme de simples traces d’événements du passé (ici, de spectacles), tentation favorisée par certaines cultures disciplinaires, l’attention portée d’une part à leurs supports, d’autre part à l’histoire de la façon dont ils ont été écoutés (ou non) permet d’opposer une autre pratique de l’histoire, riche de nouvelles interrogations. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | From Listening to Phonograms to the History of their Listening. The Example of the Theater RecordBased on a decade of work in theatre studies, this article is dedicated to the use of sound documents through research. Following on from a first article which concluded that a specific protocol was needed for their audition, it shows, using the example of the theatre record, that to the temptation to listen to phonograms as mere traces of past events (here, of performances), a temptation favoured by certain disciplinary cultures, the attention paid on the one hand to their supports, and on the other hand to the history of the way they were listened to (or not) allows us to oppose another practice of history, rich in new questions. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | archives sonores |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | écoute |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | méthodologie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | disque |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | non-écoute |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | methodology |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | listening |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | songsound archives |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | no listening |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | disc |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés & Représentations | 49 | 1 | 2020-06-02 | p. 81-96 | 1262-2966 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-et-representations-2020-1-page-81?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-et-representations-2020-1-page-81?lang=fr&redirect-ssocas=7080</a> |
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