Usages de la formation professionnelle continue chez les artistes intermittents du spectacle (notice n° 1006124)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03098cam a2200301 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125135344.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Julhe, Samuel |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Usages de la formation professionnelle continue chez les artistes intermittents du spectacle |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 34 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dans le domaine du spectacle vivant les employeurs n’ont pas directement la charge d’organiser les actions de Formation professionnelle continue (FPC) comme le prévoit en France le droit commun pour la majorité des salariés. La mise en œuvre des formations est attribuée à l’Assurance formation des activités du spectacle (AFDAS), opérateur tiers dans la relation employeur-salarié dont l’action en matière de conseil, de validation ou de financement, peut infléchir le déroulement des parcours professionnels. Cet article vise à documenter les liens entre FPC et parcours individuels dans le domaine artistique en prenant appui sur une enquête empirique menée conjointement auprès d’acteurs institutionnels et d’artistes chorégraphiques et de cirque. Croisant les approches relatives à la relation de service, aux usages ou non recours aux droits sociaux et à la conscience du droit, le propos illustre plus largement les modalités de fonctionnement de la FPC dans le cas de systèmes d’emplois flexibles en montrant la manière dont les acteurs usent de leurs droits et parviennent à faire « avec le droit ». |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the performing arts, employers are not directly responsible for organizing continuing professional development (CPD) activities for employees, as is the case in the vast majority of fields. The implementation of all training is the responsibility of the Assurance Formation des Activités du Spectacle , a third-party operator in the employer-employee relationship whose actions in terms of advice, validation or financing, can influence professional trajectories. Combining approaches from the study of street level bureaucracy, social rights and legal consciousness, the aim of this article is to document the link between CPD and individual professional trajectories in the performing arts, based on an empirical study of choreographic performers and circus artists. Showing how actors use their rights and manage to do “with the law”, this article draws on an array of data on professional trajectories to illustrates how CPD works in a flexible employment system. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | parcours professionnel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | intermittents du spectacle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | formation professionnelle continue |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | instrument d’action publique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | conscience du droit |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | legal consciousness |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | continuing professional development |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | professional paths |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | policy instruments |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Artists |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Salaméro, Émilie |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociologie | 12 | 3 | 2021-08-11 | p. 303-320 | 2108-8845 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sociologie-2021-3-page-303?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sociologie-2021-3-page-303?lang=fr&redirect-ssocas=7080</a> |
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