Maya Deren et les sciences sociales : quand le cinéma expérimental prend l'avantage sur le documentaire pour affronter la réalité du monde (notice n° 1007806)
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| fixed length control field | 02019cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125135845.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Peyrière, Monique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Maya Deren et les sciences sociales : quand le cinéma expérimental prend l'avantage sur le documentaire pour affronter la réalité du monde |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2007.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 76 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméSi l’on connaît de Maya Deren, cinéaste américaine et porte-parole du cinéma expérimental américain d’après-guerre, ses films de danse et son personnage de légende, on oublie souvent, en France, son œuvre théorique. En prenant appui sur l’ouvrage d’Alain-Alcide Sudre, Dialogues théoriques avec Maya Deren, l’auteur s’intéresse au moment où Maya Deren confronte sa conception du cinéma en tant qu’art autonome (que tout oppose au cinéma documentaire) à une démarche d’anthropologue. En filmant les danses du Vaudou haïtien, Maya Deren se reconnaît-elle des qualités d’artiste ou bien d’ethnographe ? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Maya Deren, the American film-maker and spokeswoman for the post-war American experimental cinema, is known in France for her films about dance and also as a character of legend, but we often forget her theoretical work. Refering to the theory of Alain-Alcide Sudre in Dialogues with Maya Deren, the author is interested in Maya Deren confronting her conception of the cinema as autonomous art (against documentary cinema) to anthropology. By filming the Haitian Voodoo dances, does Maya Deren sees herself as an artist or as an ethnographer? |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Vaudou |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma documentaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma expérimental |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Maya Deren |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Voodoo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | documentary cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | experimental cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Maya Deren |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 96 | 2 | 2007-06-15 | p. 41-50 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2007-2-page-41?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2007-2-page-41?lang=fr&redirect-ssocas=7080</a> |
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