Le fil de la devise : les trois dimensions de l'authenticité dans les musiques populaires underground (notice n° 1008395)
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| fixed length control field | 02658cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140022.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Seca, Jean-Marie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Le fil de la devise : les trois dimensions de l'authenticité dans les musiques populaires underground |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2010.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 62 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméLes caractéristiques économiques et juridiques de la valeur d’authenticité artistique seront d’abord passées en revue. On soulignera ensuite que cette norme sociale découle aussi des besoins expressifs des minorités. De plus, les créateurs de musiques underground et populaires sont spécifiquement définis par la recherche d’une devise (ou d’un projet viable d’identification ou PVI) et d’un positionnement plus distancié face aux conformismes musicaux et stylistiques. Cette capacité innovatrice et le désir de développer une voie originale sont alors combinés à une étrange et irrationnelle aptitude à communiquer avec d’autres fabricants de devises. L’intercommunication entre producteurs, l’activation d’une devise/VIP, le maillage de réseaux d’égaux et le refus de l’imitation finissent alors par conférer un sens sociologique à la valeur d’authenticité dans ce type d’activité. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The economic and legal characteristics of the artistic authenticity value will be first reviewed. We’ll then underline that this social norm is also resulting from minorities’ expressive needs. Furthermore, underground popular music creators are specifically defined by the research of a device (in others terms “ a feasible identification project” or FIP) and a more distant positioning in view of the stylistic and musical mainstream. This innovation ability and the desire to develop an original way are planned with a strange and irrational capacity to communicate with others devices producers. Creators’ intercommunication, device/FIP activation, peers networks creation and imitation refusal are leading to consider, in a sociological way, the authenticity value of this kind of activities. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | artiste |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | représentations sociales |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | authenticité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | idéologie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musiques underground |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | devise |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | social representations |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | popular and electronic music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | authenticity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | artist |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ideology |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | device |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 104 | 2 | 2010-01-13 | p. 13-26 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2009-2-page-13?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2009-2-page-13?lang=fr&redirect-ssocas=7080</a> |
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