Art concret et folie : le cas de l'Atelier de Engenho de Dentro à Rio de Janeiro dans les années 1940 (notice n° 1008675)
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| fixed length control field | 03696cam a2200301 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140102.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Villas Bôas, Glaucia |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Art concret et folie : le cas de l'Atelier de Engenho de Dentro à Rio de Janeiro dans les années 1940 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2014.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 33 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Vers le milieu du XXe siècle, dans la ville de Rio de Janeiro, entrèrent en concurrence deux programmes esthétiques. Le premier était représenté par le figurativisme expressionniste et cubiste qui tendait à dresser le portrait de la « nation brésilienne » ; le second, par contre, privilégiait le caractère universaliste et constructiviste dans les arts plastiques. Cet article montre que l’apparition de l’art concret, qui n’est pas dû aux influences issues de mouvements d’avant-garde étrangers ou brésiliens, apparaît, en revanche, associé à des discours et pratiques sociales qui ont mené à la construction de nouvelles valeurs artistiques. C’est ainsi qu’est reconstituée l’histoire de l’Atelier de Engenho de Dentro, point d’une sociabilité sui generis, qui a rassemblé de jeunes artistes plasticiens, des critiques d’art, des directeurs de musée, des médecins et des patients schizophrènes d’un hôpital psychiatrique de Rio de Janeiro. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Concrete Art and Madness : the case of Atelier Engenho de Dentro in Rio de Janeiro in the 1940sAround half of the twentieth century, in Rio de Janeiro, two aesthetic programs competed. The first was represented by expressionist and cubist figurativism that had the tendency of making a portrait of the Brazilian nation ; the second, on the contrary, privileged the universalist and constructivist character in the visual arts. This article demonstrates that the apparition of concrete art is not influenced by foreign or Brazilian vanguard movements, but is associated to the discourse and social practices that led to the building of new artistic values. That is how the story of the Atelier of Engenho de Dentro is reconstituted from a sociability sui generis that gathered young visual artists, art critics, museum directors, doctors and schizophrenic patients of a psychiatric hospital in Rio de Janeiro. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cerca de le mitad del siglo veinte, en la ciudad de Rio de Janeiro, los programas estéticos competiron. El primero fue representado por el figurativismo expresionista y cubista que tenia una tendencia de hacer el cuadro de la nacion brasileña ; el secondo, al contrario, privilegiava el carácter construtivista y universalista en las artes plásticas.El artículo muestra que l’aparition del arte concreta no es influenciada por el movimiento de vanguarda extranjero o brasileño, pero es asociada por el discurso y práctica social que llevaron a la construction de nuevos valores artísticos. Así es como la historia del Atelier de Engenho de Dentro és reconstituida, de una sociabilidad sui generis que unió artistas plásticos jovenes, crítica del arte, directores de museos, doutores y pacientes esquizofrénicos de un hospital psiquiátrico en Rio de Janeiro. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | rupture de modèle esthétique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | critique d'art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | conversion d'artistes |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | folie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | art concret |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | artist conversion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | madness |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Concrete Art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | rupture of aesthetic pattern |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | art criticism |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociologie de l'Art | OPuS 22 | 1 | 2014-02-15 | p. 73-91 | 0779-1674 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sociologie-de-l-art-2014-1-page-73?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sociologie-de-l-art-2014-1-page-73?lang=fr&redirect-ssocas=7080</a> |
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