L’ethos artistique de la post-dictature argentine (1984-1993) (notice n° 1008714)
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| fixed length control field | 03679cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140107.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Cerviño, Mariana |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L’ethos artistique de la post-dictature argentine (1984-1993) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 72 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | De 1976 à 1983, l’Argentine a connu un régime totalitaire. Sa politique répressive a affecté d’une manière particulière le champ artistique. Même parmi les artistes qui n’ont pas souffert de la persécution directe, il y a eu des effets peu visibles mais qui ont énormément transformé le fonctionnement de cet espace. À partir du retour de la démocratie, s’est amorcé dans le champ culturel un processus de recomposition qui a évolué progressivement vers l’ouverture de cet espace social, permettant l’entrée des autres sujets sociaux. Dans cet article, nous pourrons identifier une division entre les artistes consacrés au cours des dernières années de la dictature et ceux qui sont apparus après l’avènement de la démocratie. Nous mettrons en contraste dans des cas particuliers les sortes de compétences et de formation qui distinguent les uns des autres, tout en reconstruisant des éléments d’un ethos artistique marquant la période. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | From 1976 to 1983, a totalitarian government ruled Argentina. Its repressive policies affected in various ways the cultural field, particularly, the artistic field. Even among the artists that were not subject to direct persecution, certain subtle effects of such policies deeply transformed the operation of that space. After the return to democracy, a process of recomposition was initiated in the artistic field of Buenos Aires, evolving progressively to the opening up of that social space to other type of actors. Taking into account the distinctive features of the agents, we find a division between those that have been consecrated on the last years of the dictatorship, and the ones who make their entrance into the field after the democracy aperture. We want to highlight the elements of an artistic ethos that marked the transition period. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Entre 1976 y 1983 gobernó en Argentina un régimen totalitario. Su política represiva afectó de una manera particular al campo artístico. Incluso entre los artistas que no sufrieron la persecución directa, hubo efectos poco visibles, pero que transformaron profundamente el funcionamiento de espacio. A partir del retorno de la democracia, se desarrolló en el campo cultural un proceso de recomposición que evolucionó progresivamente hacia la apertura de ese espacio social, permitiendo la entrada de otro tipo de actores. En este artículo, identificamos una división entre los artistas consagrados durante los últimos años de la dictadura y aquéllos que hacen su ingreso luego de la apertura democrática. Pondremos en contraste, en casos particulares, las distintas competencias y de formación que distinguen a unos y otros, reconstruyendo elementos de un ethos artístico que marca el período. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | artistiques |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | champ artistique de Buenos Aires |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ethos |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | années quatre-vingt |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dictature |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transition démocratique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dictatorship |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ethos |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | artistic |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Buenos Aires artistic field |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transition to democracy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | the 80’s |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociologie de l'Art | OPuS 27 & 28 | 1 | 2019-06-04 | p. 83-108 | 0779-1674 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sociologie-de-l-art-2017-1-page-83?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sociologie-de-l-art-2017-1-page-83?lang=fr&redirect-ssocas=7080</a> |
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