L’entrée d’Assia Djebar à l’Académie française : réception politique d’un discours (notice n° 1008715)

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041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Harchi, Kaoutar
Relator term author
245 00 - TITLE STATEMENT
Title L’entrée d’Assia Djebar à l’Académie française : réception politique d’un discours
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2019.<br/>
500 ## - GENERAL NOTE
General note 73
520 ## - SUMMARY, ETC.
Summary, etc. Le présent article s’intéresse à l’une des étapes importantes du processus de consécration littéraire de l’écrivaine algérienne de langue française Assia Djebar, soit son élection, en 2005, à l’Académie française. Une année plus tard, elle prononçait, sous la Coupole, un discours dit « de réception ». En soumettant celui-ci à une analyse de contenu, l’usage politique que l’écrivaine a fait de sa consécration littéraire est mis en évidence. Un usage politique alors contesté par une frange des agents du champ littéraire et qui signale la persistance d’un système de rappels à l’ordre symboliques produit par une domination littéraire paradoxale.
520 ## - SUMMARY, ETC.
Summary, etc. This article deals with one of the most important step of the process of the literary recognition coming from the famous Algerian writer better known under the name of Assia Djebar, and more precisely about her election, in 2005, at the Académie Française. One year later, it is under the Cupola, that she delivered a speech, qualified as “reception”. By submitting this last one, to a precise analysis of the content, the political use that the writer has made of her literary recognition is clearly highlighted. Indeed, we can point out that it is a political use contested by a group of some literary agents who signaled the persistence of a system of reminders to the symbolic orders produced by the paradoxical literary domination.
520 ## - SUMMARY, ETC.
Summary, etc. Este articulo trata de unas de las mas importantes etapas del proceso del reconocimiento literario de la famosa Argelina escritora Assia Djebar, y mas precisamente de su eleccion, en 2005, en l’Académie Française. Un ano mas tarde, es debajo de la Cupula, que ella ha dado un discurso, que podemos calificar de « recepcion ». Sometendo esto articulo a una precisa analisis del contenido, el politico uso criticado que la escritora ha hecho de su literaturo reconocimiento esta mucho ponido de relieve. Ademas, podemos senalar que es una politica utilizacion contestada per un marginal grupo de algunos agentes literarios que han indicado la persistencia de uno systemo de repeticiones al symbolico orden producido por el paradojico dominio literario.
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786 0# - DATA SOURCE ENTRY
Note Sociologie de l'Art | OPuS 27 & 28 | 1 | 2019-06-04 | p. 109-127 | 0779-1674
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-sociologie-de-l-art-2017-1-page-109?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sociologie-de-l-art-2017-1-page-109?lang=fr&redirect-ssocas=7080</a>

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