Stéréotypes des femmes dans les films sud-coréens et nord-coréens (notice n° 1009170)
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| fixed length control field | 03034cam a2200337 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140221.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Coppola, Antoine |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Stéréotypes des femmes dans les films sud-coréens et nord-coréens |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 15 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméIl s’agit d’une approche sociologique et comparative des représentations cinématographiques en Corée. Le cinéma de Corée du Nord produit un imaginaire des femmes qui balance entre la tradition néo-confucianiste et l’idéologie socialiste. Exécutantes sous l’emprise de la tradition patriarcale, les femmes de ces images évoluent selon les mots d’ordre de l’idéologie, même si des variations ténues les montrent tentées par l’Occident ou plus réticentes à admirer la mythologie ouvriériste du parti. En Corée du Sud, les représentations font des femmes des êtres plus psychologiques qu’idéologiques. Un nouvel imaginaire se fait jour où les femmes semblent aller vers plus d’indépendance dans un système capitaliste qui fait bon ménage avec la tradition néo-confucianiste. Cette indépendance prend soit la forme de l’embourgeoisement soit, plus rarement, celle de la prolétarisation. Entre la jeune fille et la femme mariée et mère, se dessine le portrait plus ou moins imaginaire d’une simple femme n’ayant pas encore de rôle bien défini à tenir. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This is a sociological and comparative approach of the cinematographic representations in Korea. The cinema in North Korea produces an “imaginaire” of the women which balance between neo-confucianist tradition and socialist ideology. Executives under the realm of the patriarchal tradition, the women in those images have an evolution which follows les slogans of the ideology, even if some variations shows them attracted by the West or more reluctant to admire the working Class mythology of the party. In South Korea, the representation makes women more psychological than ideological. A new “imaginaire” seems to grows in which women seems to go for more independence in a capitalist system which succeed to deal with the tradition. This new independence is made by adopting the bourgeois way of life or, rarely, adopting a proletarian life. Between the young girl and the married mother seems to appear a portrait, still more or less virtual, of a simple woman, without any clear functional role to keep, yet. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | femmes |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | représentations sociales |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | imaginaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | idéologie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Corée du Sud |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Corée du Nord |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | North-Korea |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | social representations |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | South-Korea |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ideology |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | women |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | imaginary |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 115 | 1 | 2012-06-25 | p. 41-50 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2012-1-page-41?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2012-1-page-41?lang=fr&redirect-ssocas=7080</a> |
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