De l’histoire de la photographie à la photographie comme histoire (notice n° 1011068)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02244cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140734.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | do Nascimento Gonçalves, Fernando |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De l’histoire de la photographie à la photographie comme histoire |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 57 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article s’intéresse à la photographie contemporaine à partir d’un point de vue généalogique. Il propose de considérer le passé de la photographie non seulement comme une réponse pour penser son présent, mais également comme un problème. Pour cela, nous mettons en relation des phénomènes actuels liés à la photographie avec les processus qui l’ont configurée au XIXe siècle. Il est suggéré que les régularités existantes peuvent être vues comme conditions pour penser la construction de quelques caractéristiques principales de la photographie contemporaine, comme la réalisation d’une « relecture » de nos manières de vivre en société et la discussion critique de l’expérience du visible dans notre histoire récente. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article focuses on contemporary photography from a genealogical point of view. It considers the history of photography not only as a way of thinking about its present, but also as a problem. For this, we relate the current phenomena of photography with the processes that shaped it during the nineteenth century. We suggest that the symmetries that exist can be viewed as conditions to consider the construction of some of the principle characteristics of contemporary photography, such as the performing of a “re-reading” of our ways of living in society and the critical discussion of the experience of the visible in our recent history. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | art contemporain |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | photographie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | régimes énonciatifs |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | anachronisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | généalogie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | genealogy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | enunciate regime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | contemporary art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | photography |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | anachronism |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 142 | 4 | 2019-02-25 | p. 75-91 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2018-4-page-75?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2018-4-page-75?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux