Chanchadas et formes visuelles urbaines dans les années 1950 au Brésil (notice n° 1011070)
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| fixed length control field | 02242cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140734.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Wajnman, Solange |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Chanchadas et formes visuelles urbaines dans les années 1950 au Brésil |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 59 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Il s’instaure dans les capitales urbaines du Brésil des années 1950 une culture visuelle qui s’oriente, peu à peu, vers les idées modernes stimulées en grande partie par le cinéma d’Hollywood : surtout des idées de glamour et de mode. Dans ce contexte et à partir d’une sociologie des formes, nous recherchons les modes d’appropriation de cette culture visuelle par le cinéma brésilien des « chanchadas », généralement critique et contre Hollywood. En établissant une comparaison entre le film américain Samson et Dalila (1950) et la chanchada brésilienne Nem Sansão, nem Dalila (1954), nous démontrons les mécanismes par lesquels les formes visuelles du glamour et de la mode ne sont pas seulement parodiques, mais incorporées et reconfigurées. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the urban capitals of Brazil in the 1950s, a visual culture gradually leaning toward modern ideals spread mostly by Hollywood films—especially regarding the ideas of fashion and glamour—was established. It is in this context, and from a sociology of form that we aim to investigate the forms of appropriation of this visual culture by the Brazilian film industry through “ chanchadas,” which, conversely, adopted a critical and anti-Hollywood stance. By establishing a comparison between the American film Samson and Dalilah (1950) and the Brazilian chanchada Nem Sansão nem Dalila (1954), we demonstrate the mechanisms by which the visual forms of glamour and fashion are not only parodied, but incorporated and reconfigured. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | chanchadas |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hollywood |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | formes visuelles |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | star |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | chanchadas |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hollywood |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | visual forms |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | star |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 142 | 4 | 2019-02-25 | p. 111-120 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2018-4-page-111?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2018-4-page-111?lang=fr&redirect-ssocas=7080</a> |
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