Maison sans fenêtres (notice n° 1011538)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02391cam a2200241 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140908.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Teyssot, Georges |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Maison sans fenêtres |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 82 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dans le Passagen-Werk, Walter Benjamin révèle qu’au-delà des styles et des époques les passages couverts peuvent devenir l’objet d’une interprétation, en tant qu’espaces « baroques » d’un monde spéculaire, car ils offrent une dilatation des espaces créés par le reflet à demi voilé des miroirs salis. Ces jeux de glaces plongent le passant dans la multiplication troublante des perspectives, lui faisant vivre l’expérience perturbante d’un labyrinthe. À cela s’ajoutent les affiches, les enseignes, les panneaux publicitaires, les annonces, etc. L’ensemble de ces inscriptions confère un aspect allégorique, car les images accompagnent les textes comme des écritures que l’on doit déchiffrer. La polyvocité des images est excentrique ; elle conduit à une sorte d’entre-pli ou de pliure entre différentes conditions : intérieur/extérieur, éclairé/sombre, privé/public, celé/révélé. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In his Passagenwerk, Walter Benjamin shows that, beyond styles and eras, arcades can become the object of an interpretation as “baroque” spaces of a specular world, because they offer an expansion of the spaces created by the half-veiled reflection of the misty, dirty mirrors. These mirror games plunge the passerby into the disturbing multiplication of perspectives, giving him the perturbing experience of passing through a labyrinth. In addition, there are posters, signs, billboards, advertisements, etc. All of these inscriptions give an allegorical aspect, as the images accompany the texts like writings that must be deciphered. The polyvocity of the images is eccentric; it leads to a sort of fold, or fold between different conditions: inside/outside, lit up/dark, private/public, hidden/revealed. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | pli |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | miroirs |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | allégories |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | images |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | inscriptions |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mirrors images allegories fold inscriptions |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 153 | 3 | 2021-12-28 | p. 47-57 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2021-3-page-47?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2021-3-page-47?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux