L’art, le cinéma et le public : généalogie de l’aura (notice n° 1011730)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02653cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125140949.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Susca, Vincenzo |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L’art, le cinéma et le public : généalogie de l’aura |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 9 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dans le socle de l’interprétation benjaminienne de l’aura d’une œuvre d’art en tant que dispositif magique par lequel se rend présente une absence, nous suggérons que le processus de reproductibilité technique sollicite des mécanismes sociaux d’appropriation des formes communicatives, dans lesquels l’aura a un rôle central. À la disparition de la valeur culturelle, politique et sacrée d’une œuvre authentique et non reproductible s’oppose la formation d’une chaîne d’instruments, d’objets et d’images à haute densité symbolico-émotionnelle qui rendent le corps social même et ses conformations, sujet et objet de la contemplation. Le cinéma devient la scène médiatique, le territoire où s’inaugure un processus de va-et-vient entre l’œuvre et le public, objet et sujet de la communication et de la culture. Ainsi, dans les méandres auparavant occupés par l’art, s’engage la longue dynamique du devenir art du public. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Based on Walter Benjamin's interpretation of the aura of a work of art as a magical device through which an absence is made present, we suggest that the process of mechanical reproduction solicits social mechanisms of appropriation of communicative forms, in which the aura has a central role. To the disappearance of the cultural, political, and sacred value of an authentic and non-reproducible work is opposed the formation of a chain of instruments, objects, and images with high symbolic-emotional density that make the social body itself and its conformations, subject and object of the contemplation. The cinema becomes the media scene, the territory where a process is inaugurated of going back and forth between the work and the audience, object and subject of communication and culture. Thus, in the meanders previously occupied by art, the long dynamics of the becoming art of the audience begins. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | médias |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | imaginaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aura |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | masse |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | public |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aura |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mass |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | media |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | imagery |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | public |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 155 | 1 | 2022-04-25 | p. 81-93 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2022-1-page-81?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2022-1-page-81?lang=fr&redirect-ssocas=7080</a> |
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