La folie à Hollywood : Mankiewicz, Forman, Scorsese (notice n° 1016141)

détails MARC
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control field 20250125142153.0
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Personal name Le Toullec, Éric
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245 00 - TITLE STATEMENT
Title La folie à Hollywood : Mankiewicz, Forman, Scorsese
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Date of publication, distribution, etc. 2011.<br/>
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General note 34
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Summary, etc. RésuméLes films hollywoodiens sur la folie portent souvent à l’écran le conflit entre deux types d’approche thérapeutique, d’une part celle qui privilégie la parole libératrice sur le modèle souvent caricaturé de la talking cure psychanalytique et, d’autre part, une approche organique neurochirurgicale sur fond d’enfermement asilaire et de furor sanandi.Le dernier film de Martin Scorsese, Shutter Island (2010), reprend cette opposition sous une forme aussi inédite qu’ambiguë. En confrontant ce film avec des films plus anciens sur la folie comme Soudain l’été dernier de Joseph Mankiewicz (1959) et Vol au-dessus d’un nid de coucou de Milos Forman (1975), nous interrogeons l’évolution de la représentation de la folie au cinéma et son insertion dans les discours contemporains. En nous référant à l’enseignement de Lacan sur la lettre dans son rapport à la jouissance, nous mettons en évidence la forme structurelle qui nous permet de penser l’objet de cette répétition au cinéma.
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Summary, etc. Madness in Hollywood : Mankiewicz, Forman, ScorseseHollywood films tend to dramatize madness in terms of a conflict between two types of therapy based, on the one hand, on an often caricatural type of talking cure and, on the other, on an organic, neuro-surgical approach leading to confinement and furor sanandi. The last film by Scorsese, Shutter Island, resumes this opposition with both ambiguity and originality. Comparing this film with previous ones, such as Suddenly, Last Summer by Mankiewicz (1959) and One Flew over the Cuckoo’s Nest by Forman (1975), we question the evolution of the representation of madness in films and contemporary discourses. Referring to Lacan’s teaching on the relation of the letter to « jouissance », we can underscore the structure which enables us to understand the object of this repetition in films.
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Topical term or geographic name as entry element cinéma
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Topical term or geographic name as entry element furor sanandi
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Topical term or geographic name as entry element flash-back
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Topical term or geographic name as entry element lobotomie
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Topical term or geographic name as entry element folie
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Topical term or geographic name as entry element psychanalyse
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Topical term or geographic name as entry element psychiatrie
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Topical term or geographic name as entry element psychiatry
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Topical term or geographic name as entry element furor sanandi
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element lobotomy
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element cinema
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element madness
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Topical term or geographic name as entry element flash-back
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Topical term or geographic name as entry element psychoanalysis
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Note Savoirs et clinique | 14 | 2 | 2011-10-01 | p. 64-75 | 1634-3298
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-savoirs-et-cliniques-2011-2-page-64?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-savoirs-et-cliniques-2011-2-page-64?lang=fr&redirect-ssocas=7080</a>

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