Du trauma à la catastrophe dans le cinéma de Lucrecia Martel (notice n° 1016304)

détails MARC
000 -LEADER
fixed length control field 02757cam a2200409 4500500
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control field 20250125142218.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Morel, Geneviève
Relator term author
245 00 - TITLE STATEMENT
Title Du trauma à la catastrophe dans le cinéma de Lucrecia Martel
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2014.<br/>
500 ## - GENERAL NOTE
General note 98
520 ## - SUMMARY, ETC.
Summary, etc. Les films de Lucrecia Martel commencent par un incident : une mère de famille se coupe, une adolescente subit un attouchement furtif dans la foule, une femme heurte quelque chose en voiture. Cet événement est ensuite diffracté, au sein d’un milieu social étroit, en fragments de discours dispersés, en un kaléidoscope d’images chaotiques, de bruits et de sons erratiques. Et le trauma initial tourne à la tragédie, conséquence, à la fois, de la transmission de choses dites qui s’incarnent et se répètent et de la décision catastrophique de surtout ne rien dire. Ainsi, Lucrecia Martel filme au plus près ce que Lacan appelait « le sujet comme réponse du réel ». Cela s’avère terriblement efficace pour montrer, de façon allusive, les ressorts d’une société hantée par l’amnésie, le déni et bien des fantômes...
520 ## - SUMMARY, ETC.
Summary, etc. From trauma to catastrophe in Lucrecia Martel’s filmsLucrecia Martel’s films initiate in a rather trivial incident: a mother wounds herself; a teenager is subject to stealthy strokes in a crowd; a woman bumps into something with her car. Then this event is diffracted within a narrow social circle into fragments of scattered discourses, through a kaleidoscope of chaotic images and erratic sounds and noises. And the initial trauma turns into tragedy as a consequence of both the transmission of what is said which becomes incarnate and tends to repeat itself and of the dramatic choice never to say a word about it. Thus Lucrecia Martel can dramatize in his films what Lacan qualified as the subject as response to the real. It proves most efficient to show allusively the workings of a society haunted by amnesia, denial and many other ghosts.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element jouissance sexuelle
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Cienaga
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element censure
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element déni
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Lucrecia Martel
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element tragédie
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element famille
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element démenti
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element catastrophe
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element traumatisme
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Cienaga
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element trauma
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Lucrecia Martel
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element tragedy
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element family
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element sexual jouissance
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element catastrophe
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element censorship
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element denial
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element negation
786 0# - DATA SOURCE ENTRY
Note Savoirs et clinique | 17 | 1 | 2014-11-03 | p. 52-60 | 1634-3298
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-savoirs-et-cliniques-2014-1-page-52?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-savoirs-et-cliniques-2014-1-page-52?lang=fr&redirect-ssocas=7080</a>

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