L’héraldique dans l’espace domestique (notice n° 1036066)
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| fixed length control field | 02174cam a2200217 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125173907.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hiltmann, Torsten |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L’héraldique dans l’espace domestique |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 48 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Heraldry in the domestic spaceCoats of arms were a ubiquitous aspect of medieval culture, to be found in many different shapes and forms in the most public as well as in the most private spaces. Focusing on the German-speaking region from the thirteenth to the sixteenth century, this article specifically analyses the use of heraldry in the domestic sphere and questions the meaning of coats of arms in this context, the development of heraldic representations over time, and what can be learned from these changes. The study starts with a general assessment of coats of arms, their signification, their functionality as a means of communication, and their place in the domestic universe. On this basis, it considers different examples of heraldic wall paintings in secular domestic spaces in further detail. The study reveals a surprisingly chronological homogeneity in various parts of the German-speaking area, as well as a large diversity of materials and techniques being utilised in this region. In contrast to former beliefs, this study emphasises that the use of heraldry in the domestic space was not exclusively a matter of nobility and courtly culture, but rather that it was to be found most in an urban context among wealthy citizens and patricians. It ends with a new interpretation of the diversification in style and themes from the fourteenth century onwards and outlines new directions for further research by highlighting the importance of intermediality and cultural context in the understanding of these heraldic arrangements. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Late Middle Ages |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | wall painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | heraldry |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | visual communication |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Germany |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Le Moyen Age | CXXIII | 3 | 2018-09-04 | p. 527-570 | 0027-2841 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-le-moyen-age-2017-3-page-527?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-le-moyen-age-2017-3-page-527?lang=fr&redirect-ssocas=7080</a> |
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