Lévia...Tot(h) (notice n° 1055097)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01933cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250128135043.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Alliez, Éric |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Lévia...Tot(h) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2008.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 49 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Leviathan-Toth, Ernesto Neto’s anti/counter-installation which could be seen hanging from the vaults of the Panthéon in autumn 2006 does not seek to exploit this national memorial as a space in which to stand as an exhibition (environmental art). It responds to all of its surrounding factors – physical, aesthetic, political, and metaphysical, to attack the representative art whose constitutive-constitutional role in the republic, according to Hobbes, can be seen in Leviathan’s frontispiece. Setting up a sort of Critique et Clinique of Representation in all senses of the term beginning with the short-circuit (which is also the shortest circuit) between politics and aesthetics, Neto’s operation sets its sights on the expansive dis- organisation of the multitude living under the «democratic» regime of contractual representation of which the Panthéon is the temple. It provides a body for the rhizomatic-bioenergetic perversion of the Image of the State-Machine, of the Form-State, by projecting a new infra and supra-organic type of reality which draws its «energy» from the forces of the multitudo dissoluta (Hobbes) whose radical and vital recomposition it advocates. This work or non-work, derived from a Brazilian political-aesthetic constructivism which is undergoing redefinition, can now only take place in the context of a practice of displacement which incorporates and is constituted of the spectator-participant. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Bonne, Jean-Claude |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Multitudes | o 33 | 2 | 2008-06-04 | p. 155-169 | 0292-0107 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-multitudes-2008-2-page-155?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-multitudes-2008-2-page-155?lang=en&redirect-ssocas=7080</a> |
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