“Censorship is all the more efficient since it is banned”. (Post)censorship of protest music in Belarus and Russia (notice n° 1067365)
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| fixed length control field | 01537cam a2200229 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250205202811.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kryzhanouski, Yauheni |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Censorship is all the more efficient since it is banned”. (Post)censorship of protest music in Belarus and Russia |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 76 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Drawing on the example of protest music, the article examines political constraints impeding public expression in Belarus and Russia. The new system of post-Soviet post-censorship is decentralized and implemented by relatively autonomous agents (private companies, media, public officials, collective movements). This system relies more on economic instruments than on formal bans; it is not permanently mobilized, but is set off “in waves”, following periods of intensification of politicization in the society (such as important protest mobilizations during electoral campaigns). It is as if, during these periods, specific constraints were applied to the activities of the artists (especially the most famous or the most radical of them) who have spoken up against the authorities. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | politicization |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | protest |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | popular music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | censorship |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | authoritarian regime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | post-Soviet politics |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communications | o 106 | 1 | 2020-06-17 | p. 133-145 | 0588-8018 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-communications-2020-1-page-133?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-communications-2020-1-page-133?lang=en&redirect-ssocas=7080</a> |
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