La Grande Guerra de Monicelli, rupture de la représentation de la Première Guerre mondiale dans le cinéma italien (notice n° 107320)
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fixed length control field | 02493cam a2200361 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112010341.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Pillosio, Raphaël |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | La Grande Guerra de Monicelli, rupture de la représentation de la Première Guerre mondiale dans le cinéma italien |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2021.<br/> |
500 ## - GENERAL NOTE | |
General note | 8 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Les représentations cinématographiques de la Première Guerre mondiale par le cinéma italien ont connu une évolution constante marquée par la vie politique du pays. D’une quasi-absence des écrans sous un régime fasciste qui exalte pourtant les anciens combattants et leurs valeurs patriotiques, la Première Guerre mondiale revient en force dans le cinéma populaire italien dans les années 1945-1950 pour figurer l’unité d’un pays qui s’est déchiré durant la Seconde Guerre mondiale. Il faudra attendre La Grande Guerra de Mario Monicelli en 1959 pour en proposer une comédie distanciée, quand Francesco Rosi dix ans plus tard en livrera une version imprégnée de marxisme : la Première Guerre mondiale est une guerre de classes. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The film representations of the First World War by Italian cinema have undergone a constant evolution marked by the country’s political life. From a virtual absence of screens under a fascist regime that nevertheless exalted veterans and their patriotic values, the First World War returned in force in Italian popular cinema in the years 1945-1950 to represent the unity of a country that had been torn apart during the Second World War. It was not until Mario Monicelli’s La Grande Guerra in 1959 that a distant comedy was presented, when Francesco Rosi ten years later delivered a version impregnated with Marxism: the First World War was a class war. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Première Guerre mondiale |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | cinéma italien |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Cinéma et histoire |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | MarioMonicelli |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Cinéma et histoire |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Mario<br/>Monicelli |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | cinéma italien |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Première Guerre mondiale |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Italian cinema |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | First World War |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Mario Monicelli |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Cinema and history |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | First World War |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Mario Monicelli |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Italian cinema |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Cinema and history |
786 0# - DATA SOURCE ENTRY | |
Note | Cahiers de récits | 11 | 1 | 2021-02-04 | p. 77-85 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-de-recits-2019-1-page-77?lang=fr">https://shs.cairn.info/revue-cahiers-de-recits-2019-1-page-77?lang=fr</a> |
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