Une « picaresque » (amoureuse) qui tourne à la Gnose. À propos de Zenobia de Gellu Naum (notice n° 1082834)
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fixed length control field | 02378cam a2200289 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250309042606.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Ivanovici, Victor |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Une « picaresque » (amoureuse) qui tourne à la Gnose. À propos de Zenobia de Gellu Naum |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2025.<br/> |
500 ## - GENERAL NOTE | |
General note | 14 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Gellu Naum (1915–2001) is undoubtedly the most important Romanian poet of the second half of the twentieth century, and one of the last “greats” of global surrealism. Zenobiα (1985), his only novel, tells the story of a “mad love,” and has rightly been compared to Nadja by André Breton. Formally speaking, the narrative adheres to the scenario of a sui generis “picaresque.” As for the subject, the trials and tribulations of two lovers whose aim is to “keep love in the world” unfold in a back-and-forth between a protective Marsh and a hostile and plague-stricken City, where “those who were still alive thought they were already dead and wandered around dazed,” to paraphrase the book’s epigraph. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Gellu Naum (1915-2001) est sans doute le poète roumain le plus important de la seconde moitié du xx e siècle, et l’un des derniers « grands » du surréalisme mondial. Zénobia (1985), son unique roman (il l’appelait ironiquement h oman), est l’histoire d’un « amour fou », qu’on a à juste titre comparé à Nadja d’André Breton. Formellement parlant, le récit se plie au scénario d’une « picaresque » sui generis. Quant au sujet, les épreuves et tribulations de deux amants qui « maintiennent l’amour au monde » se déroulent dans un va-et-vient à travers un espace polarisé entre un Marais protecteur et une Ville hostile, pestiférée, où « ceux qui étaient encore vivants se jugeaient déjà morts et déambulaient étourdis », pour paraphraser l’exergue de l’ouvrage. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Amour fou |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | chronotope |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Gnose |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | picaresque |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | surréalisme |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | “mad love” |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | chronotope |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | gnosis |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | picaresque |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | surrealism |
786 0# - DATA SOURCE ENTRY | |
Note | Études Balkaniques | 27 | 1 | 2025-03-04 | p. 269-292 | 1260-2116 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-etudes-balkaniques-cahiers-pierre-belon-2024-1-page-269?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-etudes-balkaniques-cahiers-pierre-belon-2024-1-page-269?lang=fr&redirect-ssocas=7080</a> |
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