Hollywood and Wartime Europe: Politized Networks and European Subjects (notice n° 1122239)
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fixed length control field | 01304cam a2200169 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250413023940.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Demoulin, Claire |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Hollywood and Wartime Europe: Politized Networks and European Subjects |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2024.<br/> |
500 ## - GENERAL NOTE | |
General note | 19 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | This article reexamines the politicization of the Hollywood industry in the 1930s and 1940s through the lens of networks and spaces of interaction. Through an analysis of the genesis of two films dealing with European subject matter, both released in 1939, The Hunchback of Notre-Dame by William Dieterle and Balalaïka by Reinhold Schünzel, this article looks at the intersections between the spheres of European emigration in Hollywood, and those of the film industry more broadly. It demonstrates how, through these groups, various political, professional, and philanthropic circles became entangled, fostering the development of artistic and political strategies of expression in the service of discourse on the contemporary situation. |
700 10 - ADDED ENTRY--PERSONAL NAME | |
Personal name | Pór, Katalin |
Relator term | author |
786 0# - DATA SOURCE ENTRY | |
Note | 20 & 21. Revue d'histoire | o 163 | 3 | 2024-12-27 | p. 37-51 | 0294-1759 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-20-21-revue-d-histoire-2024-3-page-37?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-20-21-revue-d-histoire-2024-3-page-37?lang=en&redirect-ssocas=7080</a> |
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