Hollywood and Wartime Europe: Politized Networks and European Subjects (notice n° 1122239)

détails MARC
000 -LEADER
fixed length control field 01304cam a2200169 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250413023940.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Demoulin, Claire
Relator term author
245 00 - TITLE STATEMENT
Title Hollywood and Wartime Europe: Politized Networks and European Subjects
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2024.<br/>
500 ## - GENERAL NOTE
General note 19
520 ## - SUMMARY, ETC.
Summary, etc. This article reexamines the politicization of the Hollywood industry in the 1930s and 1940s through the lens of networks and spaces of interaction. Through an analysis of the genesis of two films dealing with European subject matter, both released in 1939, The Hunchback of Notre-Dame by William Dieterle and Balalaïka by Reinhold Schünzel, this article looks at the intersections between the spheres of European emigration in Hollywood, and those of the film industry more broadly. It demonstrates how, through these groups, various political, professional, and philanthropic circles became entangled, fostering the development of artistic and political strategies of expression in the service of discourse on the contemporary situation.
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Pór, Katalin
Relator term author
786 0# - DATA SOURCE ENTRY
Note 20 & 21. Revue d'histoire | o 163 | 3 | 2024-12-27 | p. 37-51 | 0294-1759
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-20-21-revue-d-histoire-2024-3-page-37?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-20-21-revue-d-histoire-2024-3-page-37?lang=en&redirect-ssocas=7080</a>

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