La pratique de l’improvisation comme techniques de soi (notice n° 1124397)
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| fixed length control field | 02002cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250413024932.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Granjon, Fabien |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | La pratique de l’improvisation comme techniques de soi |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 97 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article se fonde sur une enquête ethnographique conduite depuis quatre années à Uzeste, base arrière de la Compagnie Lubat (http://www.cie-lubat.org), où s’actualise, depuis plus de quarante ans, un « devoir d’invention d’une ruralité critique » (Denouël & Granjon, 2018). Le front culturel de résistance populaire (Granjon, 2016) qui s’y est développé s’appuie centralement sur des pratiques artistiques variées dont le ressort principal est l’improvisation et dont il nous semble possible de la considérer, depuis l’appareil conceptuel foucaldien, comme une forme de parrêsia. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article deals with an ethnographic survey conducted for four years in Uzeste, a small french village where the Lubat unit is based (http://www.cie-lubat.org). For more than forty years, Bernard Lubat and his unit try to create a « critical rurality » (Denouël & Granjon, 2018 ; 2019). The « popular resistance cultural front » (Granjon, 2016) they developed is centrally based on various artistic practices whose main spring is improvisation and which it seems possible to consider from the Foucauldian conceptual apparatus, as a form of parresia. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | improvisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | individuation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | parrêsia |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subjectivation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | techniques de soi |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | improvisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | individuation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | parresia |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | self techniques |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subjectivation |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Le sujet dans la cité | Actuels 9 | 1 | 2020-07-01 | p. 109-120 | 2112-7689 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-le-sujet-dans-la-cite-2020-1-page-109?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-le-sujet-dans-la-cite-2020-1-page-109?lang=fr&redirect-ssocas=7080</a> |
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