Recueillir les intentions de réalisation : le cas du monteur son de fiction (notice n° 118428)
[ vue normale ]
000 -LEADER | |
---|---|
fixed length control field | 02627cam a2200301 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112013056.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Denizart, Jean-Michel |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Recueillir les intentions de réalisation : le cas du monteur son de fiction |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2018.<br/> |
500 ## - GENERAL NOTE | |
General note | 29 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | À l’intérieur des grandes étapes de la chaîne de production d’un film de fiction, les différentes phases qui consistent pour le monteur son à recueillir les intentions de réalisation, bien que déterminantes pour l’ensemble de ses processus décisionnels, sont généralement décrites comme épineuses. En effet, nombre de monteurs disent devoir composer avec des metteurs en scène qui éprouvent parfois toutes les difficultés à communiquer leurs directives. Dans cet article, il s’agira de comprendre les facteurs qui peuvent concourir à de telles difficultés avant d’envisager comment ces dernières parviennent, selon les cas, à être contournées. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Among the major stages of a fiction film production line, the various phases involving the gathering of the director’s sound intents are commonly depicted as tricky, although decisive for all the decision-making process. Actually, many sound editors declare they have to deal with directors whom sometimes have difficulties to convey their intentions. In this article, it will be necessary to understand the factors contributing to such difficulties before considering how these latter may be circumvented, according to the situation. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Dentro de las grandes etapas de la cadena de producción de una película de ficción, los diferentes periodos en los que el editor de sonido recolecta las intenciones de realización, aunque decisivos para todos sus procesos de toma de decisiones, son generalmente delicados. De hecho, numerosos editores confiesan tener que acomodarse con directores que experimentan a menudo muchas dificultades para comunicar sus exigencias. En este artículo, se busca abarcar los elementos que concurren a semejantes dificultades antes de considerar como estas consiguen, según el caso, ser eludidas. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | cinéma |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | réalisateur |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Monteur son |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | intentions |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | communication |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | cinema |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | director |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | intentions |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | sound editor |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | communication |
786 0# - DATA SOURCE ENTRY | |
Note | Communication & langages | 197 | 3 | 2018-12-04 | p. 125-142 | 0336-1500 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-communication-et-langages-2018-3-page-125?lang=fr">https://shs.cairn.info/revue-communication-et-langages-2018-3-page-125?lang=fr</a> |
Pas d'exemplaire disponible.
Réseaux sociaux