Le mashup et la transtextualité audiovisuelle sur Internet (notice n° 118449)
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| fixed length control field | 03629cam a2200385 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112013104.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bourgatte, Michaël |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Le mashup et la transtextualité audiovisuelle sur Internet |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 77 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La culture cinématographique se construit dans la confrontation aux films. Elle prend également forme dans le cadre d’échanges que l’on a autour du cinéma. Elle passe alors par la parole (discussions entre amateurs, émissions d’experts à la télévision, contenus de youtubeurs) ou l’écriture (fanzines, magazines, sites Internet). Les technologies numériques et Internet ont enfin favorisé une nouvelle pratique. Le principe est celui de la construction d’un discours à partir de séquences de films ou de vidéos qu’on manipule et qu’on détourne. Cette pratique est appelée « mashup » et elle accompagne l’avènement d’une véritable littératie audiovisuelle. Cependant, il existe une diversité de mashups que l’auteur propose d’analyser à l’aide des catégories de la transtextualité chez Gérard Genette (intertextualité, paratextualité, métatextualité, architextualité, hypertextualité). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Movie culture is based on the practice of watching movies. It also takes shape in the context of discussions that people have about cinema. It may go through words (discussions, TV shows, Youtube videos) or writing (fanzines, magazines, website). Within that field, digital technologies and the Internet may have led to the emergence of a new practice. Its principle is that of the elaboration of a discourse based on movie shots or video shots that are manipulated and diverted. This practice is called “mashup” and it accompanies the advent of an audiovisual literacy. However, there is a diversity of mashups that to the author analyzes by using Gérard Genette’s categories of transtextuality (intertextuality, paratextuality, metatextuality, architextuality, hypertextuality). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La cultura cinematográfica se construye en la confrontación con las películas. Se forja igualmente en el marco de los intercambios sobre el cine. Puede recurrir a la palabra (discursos de aficionados, programas de televisión con expertos, contenidos de youtubers) o a la escritura (fanzines, revistas, sitios de Internet). Al respecto, las tecnologías digitales e Internet han favorecido una nueva práctica. Se trata de la construcción de un discurso con base en secuencias de películas y de videos manipulados y descontextualizados. Dicha práctica se conoce como un “mashup” y marca un hito dentro de la alfabetización audiovisual. Sin embargo, el “mashup” también se caracteriza por la diversidad de sus formas : el autor busca así analizarlas a través de las categorías de la transtextualidad de Gérard Genette (intertextualidad, paratextualidad, metatextualidad, arquitextualidad, hipertextualidad). |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | audiovisuel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | numérique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transtextualité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | vidéo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Internet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | remix |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | found footage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transtextuality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Genette |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | video |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Internet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | digital |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | remix |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | audiovisual |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | found footage |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | 202 | 4 | 2019-11-20 | p. 97-114 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-communication-et-langages-2019-4-page-97?lang=fr">https://shs.cairn.info/revue-communication-et-langages-2019-4-page-97?lang=fr</a> |
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