La religion de Richard Wagner, entre art et sacré (notice n° 121266)
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| fixed length control field | 04775cam a2200349 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112013743.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sauvage, Olivier |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | La religion de Richard Wagner, entre art et sacré |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 41 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Les opéras de Richard Wagner, imprégnés pour la plupart de références aux mythes germaniques et scandinaves, semblent n’accorder que peu de place aux questions religieuses, si l’on excepte Parsifal. Cependant, si Wagner n’a pas composé de musique sacrée, s’il s’est engagé aux côtés des révolutionnaires de Dresde en 1849, s’il a côtoyé Bakounine et lu Ludwig Feuerbach, il ne se revendique pas pour autant athée. Nourri par la lecture du Nouveau Testament, Wagner se considérait comme un Saxon protestant, et Luther était pour lui une figure digne d’éloge, au point qu’il esquissa un opéra intitulé Les Noces de Luther. Le Christ lui inspira également un autre projet de drame. Sa lecture du Veda et d’autres textes sacrés d’Extrême-Orient l’avait en outre familiarisé avec l’hindouisme et le bouddhisme, dont il affirme l’importance primordiale vis-à-vis du christianisme. Le thème de la rédemption par l’amour, récurrent dans ses opéras, se combinera dans son ultime opéra Parsifal avec la revendication d’une Mitleid (compassion) issue de Schopenhauer, et qui doit autant au bouddhisme qu’au christianisme. La sanctification de l’art par Wagner, avec Bayreuth comme lieu de culte, constitue une autre facette originale de son esthétique. Disciplines : littérature comparée, musicologie |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Richard Wagner’s operas, for the most part steeped in references to Germanic and Scandinavian myths, seem to give little place to religious questions, except for Parsifal. However, if Wagner did not compose sacred music (oratorios, masses), if he joined the revolutionaries of Dresden in 1849, if he rubbed shoulders with Bakunin and read Ludwig Feuerbach, he does not claim atheist. Nurtured by the reading of the New Testament, Wagner considered himself a Protestant Saxon, and Luther was for him a figure worthy of praise, so much so that he sketched an opera entitled Luther’s Wedding. Christ also inspired him with another drama project. His reading of the Veda and other sacred texts from the Far East had also familiarized him with Hinduism and Buddhism, of which he affirms the primordial importance vis-à-vis Christianity. The theme of redemption through love, recurring in his operas, will be combined in his final opera Parsifal with the claim of a Mitleid (compassion) stemming from Schopenhauer and which owes as much to Buddhism as to Christianity. Wagner's sanctification of art, with Bayreuth as a place of worship, constitutes another original facet of his aesthetic. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Richard Wagners Opern, die zum größten Teil von Verweisen auf germanische und skandinavische Mythen durchdrungen sind, scheinen religiösen Fragen wenig Raum zu geben, wenn wir Parsifal ausnehmen. Aber obwohl Wagner keine geistliche Musik komponiert hat, obwohl er sich 1849 den Dresdner Revolutionären angeschlossen hat, obwohl er sich mit Bakunin die Schultern gerieben und Ludwig Feuerbach gelesen hat, so behauptet er doch nicht, Atheist zu sein. Genährt von der Lektüre des Neuen Testaments, betrachtete sich Wagner als protestantischer Sachse, und Luther war für ihn eine so lobenswerte Figur, dass er eine Oper mit dem Titel Luthers Hochzeit entwarf. Christus inspirierte ihn auch zu einem anderen Theaterprojekt. Seine Lektüre des Veda und anderer heiliger Texte aus dem Fernen Osten hatte ihn auch mit dem Hinduismus und dem Buddhismus vertraut gemacht, deren ursprüngliche Bedeutung er gegenüber dem Christentum bekräftigt. Das Thema der Erlösung durch Liebe, das in seinen Opern immer wiederkehrt, wird in seiner letzten Oper Parsifal mit dem von Schopenhauer stammenden Anspruch eines Mitleids verbunden, das dem Buddhismus ebenso viel verdankt wie dem Christentum. Die Heiligung der Kunst durch Wagner, mit Bayreuth als Kultstätte, bildet eine weitere originelle Facette seiner Ästhetik. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hindouisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Wagner |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Martin Luther |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | protestantisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Schopenhauer |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | christianisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | bouddhisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Buddhism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Martin Luther |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Schopenhauer |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Protestantism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Richard Wagner |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Christianism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hindouism |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue CONFLUENCE : Sciences & Humanités | 4 | 2 | 2023-10-24 | p. 103-119 | 2826-4029 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-confluence-2023-2-page-103?lang=fr">https://shs.cairn.info/revue-confluence-2023-2-page-103?lang=fr</a> |
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