Hugo Wolf (notice n° 1323676)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02286cam a2200277zu 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FRCYB88957302 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250429181007.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250429s2024 fr | o|||||0|0|||eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780691091457 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | FRCYB88957302 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | FR-PaCSA |
| Language of cataloging | en |
| Transcribing agency | |
| Description conventions | rda |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Youens, Susan |
| 245 01 - TITLE STATEMENT | |
| Title | Hugo Wolf |
| Remainder of title | The Vocal Music |
| Statement of responsibility, etc. | ['Youens, Susan'] |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Name of producer, publisher, distributor, manufacturer | Princeton University Press |
| Date of production, publication, distribution, manufacture, or copyright notice | 2024 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | p. |
| 336 ## - CONTENT TYPE | |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type code | c |
| Source | rdamdedia |
| 338 ## - CARRIER TYPE | |
| Carrier type code | c |
| Source | rdacarrier |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | A groundbreaking look at one of the great song composers of the late Romantic periodIn the virtual cottage industry of works on fin de siècle Vienna, Hugo Wolf (1860–1903) has been somewhat neglected, perhaps because he was the master of a small genre—the late Romantic lied—and never truly made his mark in the larger forms that command greater public attention. But in the realm of song, he is among the greatest inheritors of Schubert and Schumann, one who was both a traditionalist and a modernist. When the Viennese critic Eduard Hanslick disapprovingly dubbed Wolf “the Richard Wagner of the lied,” he was paying oblique homage to Wolf’s genius as a song composer in the most modern manner.In this book, Susan Youens examines five aspects of Wolf’s compositional art, each exemplifying a different synthesis of traditionalism and modernity and spanning his entire, tragically brief creative life, from his first efforts to his lapse into insanity in 1897. She discusses Wolf’s youthful imitations of Schumann, his genius for comic songs of a kind unlike any of his predecessors, his part in the ballad revival of the late nineteenth century, Wolf in relation to his contemporaries, and his pursuit of operatic fame. Youens looks as closely at the poetic texts as she does the music and includes numerous previously unpublished sketches and fragments, examples from songs now long out of print and difficult to obtain, and citations from Wolf’s vivid letters and other sources of the period. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | |
| 700 0# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Youens, Susan |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Access method | Cyberlibris |
| Uniform Resource Identifier | <a href="https://international.scholarvox.com/netsen/book/88957302">https://international.scholarvox.com/netsen/book/88957302</a> |
| Electronic format type | text/html |
| Host name | |
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