A (romantic) “picaresque” that turns into gnosis: On Zenobia by Gellu Naum (notice n° 1365912)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01255cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250511002514.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ivanovici, Victor |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | A (romantic) “picaresque” that turns into gnosis: On Zenobia by Gellu Naum |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2025.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 12 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Gellu Naum (1915–2001) is undoubtedly the most important Romanian poet of the second half of the twentieth century, and one of the last “greats” of global surrealism. Zenobiα (1985), his only novel, tells the story of a “mad love,” and has rightly been compared to Nadja by André Breton. Formally speaking, the narrative adheres to the scenario of a sui generis “picaresque.” As for the subject, the trials and tribulations of two lovers whose aim is to “keep love in the world” unfold in a back-and-forth between a protective Marsh and a hostile and plague-stricken City, where “those who were still alive thought they were already dead and wandered around dazed,” to paraphrase the book’s epigraph. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études Balkaniques | o. 27 | 1 | 2025-03-04 | p. 269-292 | 1260-2116 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-balkaniques-2024-1-page-269?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-balkaniques-2024-1-page-269?lang=en&redirect-ssocas=7080</a> |
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