Velvet Style: A Sociology of the Transfer of Symbolic Capital between Andy Warhol and the Velvet Underground (1965–1967) (notice n° 136789)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01126cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112021654.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dorin, Stéphane |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Velvet Style: A Sociology of the Transfer of Symbolic Capital between Andy Warhol and the Velvet Underground (1965–1967) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2005.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 42 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In this article, the author aims at reconstructing the logic of the transfer of artistic legitimacy and fame, conceptualized as symbolic capital, from Andy Warhol to his favorite band, The Velvet Underground, between 1965 and 1967, at the Factory. This place, symbolically associated with 20th century art, was at the same time a meeting place and the nerve centre of the New York avant-garde. At that period in his life, Warhol acted as a patron for the Velvet Underground. During that time, the boundaries between high art worlds and popular art worlds were challenged, and, to some extent, blurred. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | A contrario | 3 | 1 | 2005-03-01 | p. 45-67 | 1660-7880 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-a-contrario-2005-1-page-45?lang=en">https://shs.cairn.info/journal-a-contrario-2005-1-page-45?lang=en</a> |
Pas d'exemplaire disponible.
Réseaux sociaux