The “Filmi” Infectiousness: Spectators and the Art of Mixing Images in Bombay Cinema (notice n° 141985)
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| fixed length control field | 02008cam a2200277 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112023256.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Grimaud, Emmanuel |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The “Filmi” Infectiousness: Spectators and the Art of Mixing Images in Bombay Cinema |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2002.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 72 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The relationship between Hindi films and their audience has often been ignored, in particular the importance of imitation and influence. For example, it can be said of a person that he or she acts, speaks or dresses like a filmi. Thus, the Indian filmgoers can be divided into two groups: on the one hand, those who know how to differentiate between fiction and reality and, on the other, those who watch films “automatically” and freely repeat what they have seen on the screen. The author has chosen to examine several cases where, after the screening, he puts the film and its public to the test. This can take various forms: there are tests for contagion, resemblance, vigour, viability and closeness to truth. These tests offer many ways of enriching and “re-setting the time element” in the cinematographic relationship: between the projection and the conversation, between the conversation and the imitation/reproduction (which we know will never be exactly “identical”), confirming a cognitive connivance is only due to one’s intimate relationship with the screen. Changing the timeframe is also, to a certain extent, a way of changing one’s relationship with the cinema and its multiplicity of reproducible objects. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | resemblance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | reproduction |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | temporality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | test |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | conversation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | projection |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | reception |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | relation to truth |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | identification |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Autrepart | o 24 | 4 | 2002-12-01 | p. 45-67 | 1278-3986 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-autrepart-2002-4-page-45?lang=en">https://shs.cairn.info/journal-autrepart-2002-4-page-45?lang=en</a> |
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