On the Blend of Genres (notice n° 150041)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 00859cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112025738.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Mandressi, Rafael |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | On the Blend of Genres |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2008.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 30 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Popular theater may originate from the circus. This is what a large number of South-American examples show. Dramatic representations from the end of the nineteenth century in Argentina and Uruguay were born in this way. New characters appear alongside acrobats or clowns. The prestige of the “character” on whom the people focus their imagination comes first from a place of physical exploits and acrobatic surprises. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communications | o 83 | 2 | 2008-09-01 | p. 211-228 | 0588-8018 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-communications-2008-2-page-211?lang=en">https://shs.cairn.info/journal-communications-2008-2-page-211?lang=en</a> |
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