Genette, a counter-investigation: Pragmatics, forms, and diachrony in the “narrative voice” (notice n° 150174)
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| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112025757.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Soulez, Guillaume |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Genette, a counter-investigation: Pragmatics, forms, and diachrony in the “narrative voice” |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 77 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Gérard Genette devised a number of notions that can be seen as the norm in textual analysis today. But it is too easy to forget the theoretical choices and frameworks that led to the development of these categories. To assess the importance of opening the black box of Genettian categories, the author uses the example of “narrative voice” in Figures III and tries to assess to what extent the notion of “homo-intradiegetic narrative” can really be applied to the case of Odysseus and the Phaeacians. In the form of a counter-investigation, the analysis sheds light on the problem of the link between formal analysis and diachrony. In lieu of an approach that simply uses Genettian textual categories by changing the context of their application, the author favors a more pragmatic approach and a use of forms that historicizes and gives meaning to formal experimentation, while deepening the conceptualization at play in Genette’s works. |
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| Topical term or geographic name as entry element | literature |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Genette |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Jauss |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | audiovisual media |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | bard |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | diachrony |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | narrative voice |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | anachronism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | narrative |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | o 202 | 4 | 2019-11-20 | p. 115-131 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-communication-et-langages-2019-4-page-115?lang=en">https://shs.cairn.info/journal-communication-et-langages-2019-4-page-115?lang=en</a> |
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