Generalized fright in the contemporary world. An enactment of the Medusa myth (notice n° 1529806)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01319cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251012013559.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chauvet, Évelyne |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Generalized fright in the contemporary world. An enactment of the Medusa myth |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2025.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 64 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In Greek myth, the head of Medusa cut off by Perseus became the representation of pure fear. Freud turned it into a condensed figure of the female sex, castration and death. The author proposes an elaboration of castration anxiety, an analogon of death anxiety, and questions the possibilities of overcoming the fear at the origin of the trauma, through its expression in the destructiveness of the contemporary world, particularly in terrorist acts that stage and act out the myth of Medusa, through what is seen and heard, such as the 7 October pogrom in Israel or the years of terror in Algeria. Kamel Daoud’s novel Houris will illustrate the question of how to escape from the petrification and silence imposed by the generalised fear programmed by the killers. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française de psychosomatique | 67 | 1 | 2025-05-02 | p. 75-86 | 1164-4796 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-francaise-de-psychosomatique-2025-1-page-75?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-francaise-de-psychosomatique-2025-1-page-75?lang=en&redirect-ssocas=7080</a> |
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