Contemporary Mapuche Art, A Practice of Resistance (notice n° 1532042)

détails MARC
000 -LEADER
fixed length control field 00910cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251012015136.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Honorato Crespo, Paula
Relator term author
245 00 - TITLE STATEMENT
Title Contemporary Mapuche Art, A Practice of Resistance
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2025.<br/>
500 ## - GENERAL NOTE
General note 97
520 ## - SUMMARY, ETC.
Summary, etc. This article reflects on the relevance of distinguishing contemporary Mapuche art in the context of general international art production, given that it is produced by First Nations artists and that its practice assumes the colonial wound that has shaped America’s destiny. From this perspective, the strategies of cultural resistance proposed by the works of Francisco Huichaqueo and Bernardo Oyarzún are analyzed.
786 0# - DATA SOURCE ENTRY
Note Hermès, La Revue | 95 | 1 | 2025-06-16 | p. 85-89 | 0767-9513
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-hermes-la-revue-2025-1-page-85?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-hermes-la-revue-2025-1-page-85?lang=en&redirect-ssocas=7080</a>

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