“Now for a scene!” – “Wakefield” and the Drama of Narration in Hawthorne’s Tales (notice n° 1575867)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01323cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251214033617.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Cottet, Hélène |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Now for a scene!” – “Wakefield” and the Drama of Narration in Hawthorne’s Tales |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2025.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 97 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article starts with the outrageous interventions of the narrator of “Wakefield” in order to question more broadly the use of “scenes” inside Nathaniel Hawthorne’s short fiction. It goes through the corpus assembled by James McIntosh in Nathaniel Hawthorne’s Tales, looking for the scene/summary tempo identified by Gérard Genette, and finding that several of Hawthorne’s narrators push it off balance. While we come to see that the Hawthorne “scene” is defined first and foremost by the spectators who witness it, we move on from there to question what is tucked away by the narrator-directors (Genette) who look away from domestic settings—particularly in “Wakefield,” a text to which we return in more detail, this time placing the narrator center-stage. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études anglaises | º77 | 3 | 2025-02-07 | p. 305-317 | 0014-195X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-anglaises-2024-3-page-305?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-anglaises-2024-3-page-305?lang=en&redirect-ssocas=7080</a> |
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