Between the work of art and the aesthetic object: Literary theory in the light of Ingarden (notice n° 1576114)

détails MARC
000 -LEADER
fixed length control field 01010cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251214034404.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Gendrel, Bernard
Relator term author
245 00 - TITLE STATEMENT
Title Between the work of art and the aesthetic object: Literary theory in the light of Ingarden
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2025.<br/>
500 ## - GENERAL NOTE
General note 22
520 ## - SUMMARY, ETC.
Summary, etc. Roman Ingarden remains little known to French literary theorists, yet his philosophical work in fact contains a comprehensive theory of the literary phenomenon—encompassing the work itself, its reception, and its critique. His phenomenological approach even offers valuable insights into certain trends in the most contemporary literary theory (concerning possible texts or “ghost texts”) and opens up numerous avenues for reflection (notably on modes).
786 0# - DATA SOURCE ENTRY
Note Nouvelle revue d’esthétique | 35 | 2 | 2025-09-08 | p. 49-57 | 2264-2595
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-nouvelle-revue-desthetique-2025-2-page-49?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-desthetique-2025-2-page-49?lang=en&redirect-ssocas=7080</a>

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