Reinterpreting the South African Transition (notice n° 1576294)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01173cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251214035325.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rey, Matthieu |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Reinterpreting the South African Transition |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2025.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 82 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Musical hauntology examines the functioning of memory and the place of sound recording in this process. The use of a scholarship cultural reference (Derrida) for a popular experimental musical current is noteworthy. It brings together musicians from different horizons, linked not by common sound aesthetics but by a founding philosophical questioning. In this way, the musical anthology exemplifies the crumbling of boundaries between aesthetic genres, but also between different cultural spheres (scholarly/popular). In a final nostalgic gesture, it celebrates the end of the “indicial parenthesis” of analog media. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Rueedi, Franziska |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | 20 & 21. Revue d'histoire | 166 | 2 | 2025-09-11 | p. 3-20 | 0294-1759 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-vingt-et-vingt-et-un-revue-d-histoire-2025-2-page-3?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-vingt-et-vingt-et-un-revue-d-histoire-2025-2-page-3?lang=en&redirect-ssocas=7080</a> |
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