Les principes de la musique sérielle (notice n° 1579469)

détails MARC
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control field 20251228045952.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Dufourt, Hugues
Relator term author
245 00 - TITLE STATEMENT
Title Les principes de la musique sérielle
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2001.<br/>
500 ## - GENERAL NOTE
General note 50
520 ## - SUMMARY, ETC.
Summary, etc. L’entreprise sérielle vise une maîtrise radicale des fondements de l’écriture musicale et, d’une façon encore plus générale, une rationalisation intégrale des schèmes auxquelles elle est supposée se conformer. Cette tentative mobilise des techniques et des concepts empruntés aux mathématiques de son temps, dont cet article relève les traces précises. L’idée fondamentalede la doctrine sérielle est alors que toute action transformatrice, toute synthèse constructive, s’appuient sur une forme d’ordonnance et de répétition susceptible d’être formalisée pour elle-même ; se trouve ainsi postulée une généralité de la structure formalisée qui, si elle impose de réviser les relations entre concept et phénomène musical, ne peut entièrement résorber les contraintes spécifiques des configurations musicales, qui limitent l’ambition du calcul.
520 ## - SUMMARY, ETC.
Summary, etc. The serial approach consists in monitoring the principles of musicwriting and, more generally speaking, a complete rationalisation of the schemes to which it is expected to conform. This attempt implies a number of techniques and concepts borrowed from contemporary mathematics which the present article will underline. The fundamental idea of serial doctrine emerges as soon as a transforming action and a constructive synthesis are based on some kind of an order and a repetition liable to be formalised. Here is the basic principle for a generality of formalised structure which (although it means reviewing the connection between concept and musical phenomenon) cannot erase the specific constraints of musical configurations which limit the ambitions of calculation.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Écriture musicale
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Ordonnance
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Phénomène musical
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element R épétition
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Sérialisme
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element lism
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Music
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Musical phenomenon
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Order
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Repetition
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Seria
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element writing
786 0# - DATA SOURCE ENTRY
Note Archives de philosophie | 64 | 2 | 2001-06-01 | p. 361-374 | 0003-9632
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-archives-de-philosophie-2001-2-page-361?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-archives-de-philosophie-2001-2-page-361?lang=fr&redirect-ssocas=7080</a>

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