Cœurœils (notice n° 1590943)
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|---|---|
| fixed length control field | 03458cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251228065209.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hamraoui, Éric |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Cœurœils |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2008.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 24 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméLe présent article montre en quoi la pratique du dessin et de la peinture rend possible, au-delà de la maîtrise d’une technique, la vision de la vie originelle et singulière des choses et des corps. Il tente de restituer le trajet allant de cette vision à la formation du trait qui oriente à son tour l’œil de l’artiste vers la « face de l’invisible » (Hugo). Lorsqu’il se fait sismographe des mouvements les plus secrets d’un regard, le crayon du dessinateur, loin d’en devenir le simple écho ou l’herméneute, fait de ceux-ci les cocréateurs de son travail. Langage de l’imagination et du geste, œuvre perpétuellement débordée par l’infini, le dessin constitue, selon nous, l’opérateur d’une transformation possible de l’œil de l’artiste et de son modèle en cœur (d’où le néologisme « cœurœils »), en faculté de voir à partir du cœur du sensible. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper shows how drawing and painting make possible, beyond the mastering of the technique, the vision of things and bodies’ original and singular life. The text’s aim is to recreate the path from this vision to the formation of the line, which directs the artist’s eye towards the “face of the invisible” (Hugo). When the artist’s pencil is used as a seismograph for the most secret movements of a person’s look, far from just becoming their echo or their hermeneutist, it makes them the co-creators of its work. As a language of the imagination and of the gesture, as an opus permanently overwhelmed by the infinite, the drawing constitutes, according to the author, the operator of a possible transformation of the artist’s eye and of its model into a heart (hence the neologism “hearteyes”), into the capacity to see from the wild heart of the sensitive. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ResumenEste artículo muestra hasta que punto la práctica del dibujo y la pintura hace posible, más allá del dominio técnico, la visión de la vida original y singular en las cosas y los cuerpos. Trata de restituir el trayecto que va de la visión a la formación del trazo que orienta el ojo del artista hacia la « fase de lo invisible » (Hugo). Cuando el lápiz del dibujante se convierte en el sismógrafo de los movimientos más secretos de una mirada, lejos de volverse un simple eco o el hermeneuta, hace de esos movimientos los co-creadores de su trabajo. Lenguaje de la imaginación y del gesto, obra perpetua desbordada por el infinito, el dibujo constituye desde nuestro punto de vista, el operador de una transformaciùon posible del ojo del artista y de su modelo en corazón (de ahí el neologismo « corojos ») en facultad para ver desde el corazón, no sujeto a lo sensible. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | co-création |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cœur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | corps |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dessin |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | œil |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sensibilité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | body |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | co-creation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | drawing |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | eye |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | heart |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sensitivity |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Travailler | 19 | 1 | 2008-01-23 | p. 143-148 | 1620-5340 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-travailler-2008-1-page-143?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-travailler-2008-1-page-143?lang=fr&redirect-ssocas=7080</a> |
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