L'extase déchiffrée (notice n° 1595222)
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| fixed length control field | 02355cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251228073439.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kaltenbeck, Franz |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L'extase déchiffrée |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2007.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 8 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméDans son essai sur Proust, Samuel Beckett explique, en 1930, la fonction que l’art a pour l’auteur d’ A la recherche du temps perdu. Proust suppose à l’art la clarté, écrit Beckett. Grâce à cette qualité, l’art peut déchiffrer « l’extase énigmatique » éprouvée par le narrateur de la Recherche quand il contemple « les formes impénétrables » de certains objets. Contrairement à l’esthétique de Schopenhauer, ce ne sont pas des objets extraordinaires qui déclenchent les extases de Proust. Beckett précise néanmoins que « le mystère, l’Idée, l’essence » y sont « prisonniers de la matière ». En relisant Proust et Beckett, nous montrons l’impact de ce débrouillage de l’extase par l’art pour la psychanalyse. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In his essay on Proust (1930), Samuel Beckett explains Proust’s idea of the function of art. Art has the quality of ‘brightness’. Due to this quality, art can decipher the ‘baffled ecstasy’ which the narrator of the Research experienced in front of ‘the inscrutable surfaces’ of certain objects. Unlike Schopenhauer’s aesthetics, the objects which trigger Proust’s ecstasies are not extraordinary. Beckett nevertheless gives the following precisions about these objects: the ‘mystery, the essence, the Idea’ are ‘imprisoned in matter’. Reading Proust and Beckett, we analyze the deciphering of ecstasy by art and its impact on psychoanalysis. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | « hiéroglyphes de la perception inspirée » |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | malédiction de l'habitude et de la volonté |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mémoire involontaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Schopenhauer |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | temps aboli |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | “hieroglyphics of inspired perception” |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | “obliterated time” |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | involuntary memory |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | malediction of habit and will |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Schopenhauer |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Savoirs et clinique | 8 | 1 | 2007-10-18 | p. 107-115 | 1634-3298 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-savoirs-et-cliniques-2007-1-page-107?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-savoirs-et-cliniques-2007-1-page-107?lang=fr&redirect-ssocas=7080</a> |
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