Imitating without copying, imitating to create. The different forms of forgery in bronze art in the 19th century (notice n° 160300)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01238cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112032558.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Voillot, Élodie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Imitating without copying, imitating to create. The different forms of forgery in bronze art in the 19th century |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 59 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The Parisian bronze art industry in the 19th century was a very attractive sector that was growing rapidly and benefiting from multiple forms of process improvement and technological inno-vation. Its success attracted high levels of financial investment to support the creation and to purchase models. It was becoming increasingly important to protect them from forgery and, for this reason, the Association of Bronze Producers was created in 1817. A detailed study of the litigation procedures for forgery between manufacturers highlights the surprising – and paradoxical – significance of strategies to thwart the rules put in place to protect the models in the process of creation itself. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Entreprises et histoire | o 78 | 1 | 2015-06-22 | p. 49-59 | 1161-2770 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-entreprises-et-histoire-2015-1-page-49?lang=en">https://shs.cairn.info/journal-entreprises-et-histoire-2015-1-page-49?lang=en</a> |
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