Marcel Cohen, Sur la scène intérieure. Faits, Paris, Gallimard, coll. « L’un et l’autre », 2013, 139 pages (notice n° 1605259)
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| fixed length control field | 02029cam a2200181 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251228095007.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Le Moing, Monique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Marcel Cohen, Sur la scène intérieure. Faits, Paris, Gallimard, coll. « L’un et l’autre », 2013, 139 pages |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2014.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 23 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La sculpture dans l’espace public est l’objet de nombreux scandales, particulièrement aux xixe et xxe siècles. Pourquoi et en quoi suscite-t-elle tant la controverse ? Sous des motivations politiques, religieuses ou esthétiques, la représentation est au cœur du débat. Le scandale, subi par l’artiste au xixe siècle, se voit réemployé par lui-même au cours du xxe siècle, faisant ainsi évoluer la nature même du scandale dans l’histoire de l’art. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Sculpture in public space has been the subject of many scandals, especially in the 19th and 20th centuries. Why and how does it create so much controversy? Whether for political, religious or aesthetic motivations, the concept of representation is at the heart of the debate. The scandal, of which the 19th century artist was a victim, saw itself recycled repeatedly over the course of the 20th century, thus allowing the very nature of scandal to evolve in the history of public sculpture. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Essencialmente nos séculos xix e xx, a escultura em espaços públicos foi objecto de múltiplos escândalos. Por que razão terá suscitado tamanha con-trovérsia ? Por detrás das motivações de ordem política, religiosa ou estética, é, na verdade, a problemática da representação que está no centro deste debate. Sofrido pelo artista do século xix, o escândalo é por si reivindicado no século seguinte, fazendo assim evoluir a própria natureza do escândalo na história da arte. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sigila | 33 | 1 | 2014-03-03 | p. 155b-157b | 1286-1715 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sigila-2014-1-page-155b?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sigila-2014-1-page-155b?lang=fr&redirect-ssocas=7080</a> |
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