The new nu (notice n° 1605299)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02302cam a2200181 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251228095010.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bouit, Delphine |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The new nu |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 63 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Participeront à cette étude à propos du nu en peinture Edgar Degas, influencé par Eugène Delacroix, Édouard Vuillard s’inspirant de Pierre Bonnard, ainsi que deux peintres illustres de la grande Vienne, Egon Schiele et Gustav Klimt. Le corps de femme nue sera ici commenté sous ses différents aspects : d’abord, égorgée ou brutalisée, crispée, pudique, timide et soumise ; puis sensuelle et lumineuse, suggérant parfois pureté et innocence ; osée et provocante, enfin. En peinture, le regard a une importance particulière : il est indissociable de la poésie, de la musique du tableau. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This study of the nude in painting will be carried out with the participation of Edgar Degas, influenced by Eugène Delacroix, of Edouard Vuillard, inspired by Pierre Bonnard, and of two illustrious painters of the great Viennese school, Egon Schiele and Gustav Klimt. The female nude will be commented in its different aspects : first as a butchered or brutalized body, tense, modest, shy and submissive ; then in its sensuous and radiant dimensions, suggesting at times purity and innocence, finally, as daring and provocative. In painting, our gaze is particularly crucial ; it cannot be separated from the poetry and music of a given work. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Para este estudo sobre a nudez na pintura, serão convocados Edgar Degas, influenciado por Eugène Delacroix, Edouard Vuillard, que se inspira de Pierre Bonnard, e dois outros ilustres pintores da Escola de Viena, Egon Schiele e Gustav Klimt. Considerar-se-á o corpo nu da mulher sob diversos ângulos : estrangulado e brutalizado, crispado, púdico, tímido e submisso, por um lado ; sensual e luminoso, por outro, sugerindo, por vezes, pureza e inocência ; corpo ousado e provocador, por fim. No centro, destaca-se o olhar, indispensável tanto à poesia como à música da pintura. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sigila | 35 | 1 | 2015-03-01 | p. 61-62 | 1286-1715 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sigila-2015-1-page-61?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sigila-2015-1-page-61?lang=fr&redirect-ssocas=7080</a> |
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