Rita Azevedo Gomes, La vengeance d’une femme (A Vingança de uma Mulher), film 2011, 1h20 (notice n° 1605316)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01131cam a2200181 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251228095012.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bouit, Delphine |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Rita Azevedo Gomes, La vengeance d’une femme (A Vingança de uma Mulher), film 2011, 1h20 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 80 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Les nus traversent l’œuvre de Marcel Duchamp. En mouvement ou immobiles, fantomatiques ou lourdes machineries, que nous disent ces corps sans visages d’un artiste très cérébral ? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | There are nudes throughout Marcel Duchamp’s work. Whether they are moving or motionless, phantoms or heavy machines, what do those faceless bodies tell us about this very cerebral artist? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Os nus percorrem a obra de Marcel Duchamp. Imóveis ou em movimento, fantasmáticos ou assumindo os contornos de uma maquinaria pesada, o que revelam esses corpos sem rosto de um artista iminentemente cerebral? |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sigila | 35 | 1 | 2015-03-01 | p. 179f-180f | 1286-1715 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sigila-2015-1-page-179f?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sigila-2015-1-page-179f?lang=fr&redirect-ssocas=7080</a> |
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