Natalia Muchnik, De paroles et de gestes. Constructions marranes en terre d’Inquisition, Paris, Ehess, 2014, 284 pages (notice n° 1605394)
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| fixed length control field | 01205cam a2200181 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251228095029.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lévi, Florence |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Natalia Muchnik, De paroles et de gestes. Constructions marranes en terre d’Inquisition, Paris, Ehess, 2014, 284 pages |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2016.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 58 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dans son ultime « idée de récit » de ses origines, L’Écharpe rouge, sorte d’autoanalyse, Yves Bonnefoy livre comment son goût pour une poésie d’où émergerait « la parole vraie » lui serait venu. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In The Red Scarf, Yves Bonnefoy’s last "idea for a story" of his origins or a sort of self-analysis, the poet reveals how he came to favour a type of poetry in which "the true word" is brought forth. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Na sua última “ideia de narrativa” das suas origens, L’Écharpe rouge, espécie de auto-análise, Yves Bonnefoy expõe como seu gosto por uma poesia donde sairia “a palavra verdadeira” teria surgido nele. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sigila | 38 | 2 | 2016-10-03 | p. 175c-179c | 1286-1715 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sigila-2016-2-page-175c?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sigila-2016-2-page-175c?lang=fr&redirect-ssocas=7080</a> |
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