Les risques de la septième porte chez Béla Bartók (notice n° 1605409)
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|---|---|
| fixed length control field | 02197cam a2200181 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251228095030.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Vieuille, Marie-Françoise |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Les risques de la septième porte chez Béla Bartók |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2017.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 73 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Entre le mythe aimable de Psyché et de Cupidon et celui, libérateur, de Mélusine, l’unique opéra de Béla Bartók, Le Château de Barbe-Bleue, propose, à travers le livret du poète Béla Balázs et la puissante création vocale et instrumentale du musicien hongrois, une interrogation sur l’amour et l’indiscrétion. Ce n’est pas par Barbe-Bleue que le malheur arrive mais par sa dernière épouse, Judith. Forçant « les portes du château » : violant l’intimité de celui qu’elle prétend aimer, elle se condamne elle-même aux ténèbres qu’elle voulait dissiper. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Situated between two myths, the amiable one of Psyche and Cupid and the liberating one of the fairy Melusine, Béla Bartók’s only opera, Bluebeard’s Castle, makes uses of poet Béla Balázs’s libretto and Bartók’s powerful vocal and instrumental composition to question love and indiscretion. The misfortune that happens is not due to Bluebeard but to his last wife Judith. In forcing open the “castle’s doors” and thus violating the privacy of the man she claims to love, Judith condemns herself to the darkness she wanted to dispell. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Entre o afável mito de Psique e Cúpido e o mito libertador de Melusina, a singular ópera de Béla Bartók, O castelo do Barba Azul, oferece-nos, através do libreto do poeta Béla Balázs e a poderosa criação vocal e instrumental do músico húngaro, um questionamento sobre o amor e a indiscrição. Com efeito, a desgraça não é provocada por Barba Azul, mas sim pela sua última esposa, Judite : ao forçar “as portas do castelo”, violando a intimidade daquele que ama, condena-se a si própria às trevas que pretendia dissipar. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sigila | 39 | 1 | 2017-03-01 | p. 85-96 | 1286-1715 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-sigila-2017-1-page-85?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-sigila-2017-1-page-85?lang=fr&redirect-ssocas=7080</a> |
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